Why I Dropped Everything And Started Teaching Kendrick Lamar’s New Album

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Brian Mooney

When Kendrick Lamar released his sophomore album, To Pimp A Butterfly (2015), I was in the middle of teaching a unit on Toni Morrison’s novel, The Bluest Eye (1970). My freshmen students were grappling with some big ideas and some really complex language. Framing the unit as an “Anti-Oppression” study, we took special efforts to define and explore the kinds of institutional and internalized racism that manifest in the lives of Morrison’s African-American characters, particularly the 11-year-old Pecola Breedlove and her mother, Pauline. We posed questions about oppression and the media – and after looking at the Dick & Jane primers that serve as precursors to each chapter, considered the influence of a “master narrative” that always privileges whiteness.

Set in the 1940s, the Breedlove family lives in poverty. Their only escape is the silver screen, a place where they idolize the glamorous stars of the film industry. Given the historical context…

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On Ben Affleck and Slavery

not a surprise.

Matthew Barlow

A few years back, I was contacted by the producers of Who Do You Think You Are?, a popular TV genealogy show, to help them with an episode.  The show was predicated on tracing the ancestry of celebrities, attempting to capitalize on the boon in genealogy amongst the masses, and was based on a popular British version.  For an upcoming episode, they were working with Rosie O’Donnell, whose Irish ancestors had passed through Montreal, living for a time in a long-defunct neighbourhood in the city’s east end.

So I met with people from the show when they came to Montreal, spent the good chunk of a day with them, showing them what mid-nineteenth century architecture in the city looked like, using Pointe-Saint-Charles in the stead of this defunct neighbourhood, which was destroyed by the expansion of rue Notre-Dame in the 70s.  Not surprisingly, the majority of the Montreal part was excised…

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